Education is not neutral
"There is no such thing as a neutral education process. Education either functions as an instrument that is used to facilitate the integration of the younger generation into the logic of the present system and bring about conformity to it, or it becomes 'the practice of freedom,' the means by which men and women deal critically and creatively with reality and discover how to participate in the transformation of their world."

—Richard Schaull, from the foreward for Pedagogy of the Oppressed by Paulo Freire

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Who Is America?
photo of Martin Luther King, Jr. leading marchers

And how will we know when all our voices have been counted?
What will it look like when all our people are protected?
How will each one of us know we have done our part?
America is so much more than our borders.
We, the people.

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Rollerball, 1975
I just caught Rollerball (the original, from '75) on TV, and was reminded how much I love that flick. From the melodramatic score to the prolonged track scenes of some future-barbaric blood sport, to James Caan's crazy square shoulders, I can't ever flip through - I just have to watch it to the very last freeze frame.

Still from Rollerball, 1975

Dystopian blood sports never looked so fun


Still from Rollerball, 1975

Still from Rollerball, 1975

Still from Rollerball, 1975

Still from Rollerball, 1975

Still from Rollerball, 1975

The future is now


Still from Rollerball, 1975

Still from Rollerball, 1975

Still from Rollerball, 1975

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On Exhibit: Visual Voices
If you're in New York during the next couple of months, you may want to stop by the Center Gallery at Fordham University to see the gallery's current exhibition, Visual Voices: the Freedom of Expression.

Image of 'Visual Voices: the Freedom of Expression' exhibition

On display are posters from fifteen artists and designers, including the likes of Luba Lukova, the Guerilla Girls, and...get this...myself. It's pretty snazzy to be included with such good company.

Image of 'Visual Voices: the Freedom of Expression' exhibition

The show has been extended through February 10th, with a closing reception on January 26th. For more details, download the announcement (PDF).

Visual Voices: The Freedom of Expression
Center Gallery, Fordham University Lincoln Center
113 West 60th Street | New York, NY 10023

Hours: Monday-Friday 10-8 | Saturday & Sunday 10-5
Through February 10th
Closing Reception: Tuesday, January 26th 5-7pm

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Actual Content vs. Perceived Content
A beautiful piece by Clemens Kogler and Karo Szmit:




[via Brand66]

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We Are All Environmental Journalists Now
Interesting take on the UN Climate Change Conference in Copenhagen from the Guardian:
"The problem is getting anywhere near the truth. Most countries do their diplomacy in private and do not want anyone—let alone the press—to know what goes on in the negotiations. Beyond that, the talks are so technical that few can understand them even if they are explained. Moreover, meetings are closed, all decisions are dependent on others and are made in secret, the UN secretariat is opaque, the diplomats and negotiators are unaccountable and speak in code, and because of the insane complexity of the negotiations, there is probably only a handful of people who actually understand what is happening at any moment. The drama at the very end when world leaders start their horse-trading will be genuinely dramatic, but no one will actually see it take place."
[Read the full article]

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Zip Code Map
Just a cool little visualization experiment by Robert Kosara over at Eager Eyes:

Zip code visualization map by RObert Kosara

The map connects all the zip codes in the U.S. (save Hawaii and Alaska; you can view those at the original blog post) in ascending order. Although it doesn't reveal any grand meaning (it shouldn't be any surprise that clusters of zip codes remain within their given state's borders), it is kind of an interesting twist on community, regionalism, and the systems behind aging infrastructures.

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Fun with Film Strips: A Guide to TV Advertising
I recently discovered a treasure trove of old filmstrips archived over at AV Geeks (no doubt!). I remember being fascinated by this one when seeing it in elementary school:



I wonder how many grade schools still teach kids about media literacy and critical analysis. I also distinctly remember a mathematics filmstrip featuring Donald Duck that taught principles of geometry using a pool table.

And then there's this 1971 gem about the emotional buying habits of consumers (who is that encyclopedia salesman, anyway?):



Be sure to peruse the AV Geeks online archives; it's a celluloid goldmine!

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Why We Need "Socialized" Health Care
Thanks to Worldchanging's Andy Lubershane, we now have an easy-to-follow, entirely sensible argument in support of health care reform:



Now, can someone produce a similar short describing Congress' various proposals?

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States United
Love this poster from Gregory aka Beauchamping:

Poster: 'States United' by Gregory aka Beauchamping

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Flow
I finally had a chance to watch Flow, an incredible (and incredibly disturbing) documentary about the privatization of the world's water supply. More than just an anti-corporate diatribe, the film speaks to the inevitability of the looming water crisis, and what that might look like based on where the battles are being fought now. And they are battles.



Water is a $400 billion industry—the third largest behind electricity and oil. My mind kind of explodes at that statistic. We're talking about water. The slow commodification of the natural resources most fundamental to human existence should raise alarm bells in every human being. And yet, one in five Americans refuse to drink anything but purchased bottled water; even though a four-year study by the NRDC found over a third of the tested bottle brands were contaminated with synthetic chemicals, bacteria, and arsenic.

This isn't just an "over there" issue impacting the lives of underdeveloped or developing countries: as of May 2009, over 30% of America was experiencing "abnormally dry or drought" conditions. Public water supplies are being handed over to private corporations, who are then denying entire populations access to clean water supplies—and frequently contaminating the remainder.



We can each participate in the change

One of the strengths of Flow is the movie's focus on solutions. There is a growing movement of ordinary citizens across the globe who are banding together to demand safe access to clean water. Here are just a few easy things you can do to help:
  • Watch Flow, and talk about it with people you know. Information needs to spread, and you're how it happens.
  • Sign the petition to add "the right to clean and accessible water, adequate for the health and well-being of the individual and family" to the Universal Declaration of Human Rights. This simple act will enable those struggling for safe water a powerful tool in the struggle for access.
  • Delve deeper by exploring the various resources and groups working on this issue.

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Sustainable Design Town Hall: Nathan Shedroff
Back in early May, I wrote about a group of about 20 or so designers and educators who attended a Designers Accord town hall meeting in San Francisco to explore the subject of sustainable design and exchange ideas. This post is part of a short series in which I continue the conversation with some of the other presenters there about designing messaging that drives measurable, ground-level change.
Previous posts:
Series Introduction
Lynda Grose and the Sustainable Cotton Project


Nathan Shedroff is the chair of the MBA in Design Strategy program at California College of the Arts, really one of the only programs of its kind in the U.S. He's a prolific author whose most recent book, Design Is the Problem: The Future of Design Must be Sustainable, outlines a stunningly accessible vision of the future of design. At the town hall in May, Nathan discussed the interdependence of design, business, and sustainability—as he pointed out, "you can't have one without the other."

Image of Nathan Shedroff's book 'Design is the Problem'

More recently, I asked Nathan a few questions via email about how individuals and organizations can translate sustainable design thinking into practice. His responses—along with the whole of Design Is the Problem—reveal a pragmatism infused with optimism that is often lacking among sustainability proponents, and that is utterly necessary if real change is going to take place in both the private and public sectors.

Jess: What has teaching this stuff taught you about how people best respond to sustainable design issues? How did that influence the writing of Design Is the Problem?


Nathan:
I've been teaching sustainability and product development for at least three years—and some of experiences definitely influenced the book. One of the things that sometimes happens is that people assume sustainability is only about the environment. Another is that a lot of business students, though not engineers and designers as much, aren't terribly interested in sustainability at first. I should note that these aren't my students, luckily.

Next, many students go through a profound kind of depression at first. In the first 6-8 weeks of our Sustainability Studio in the program, our students were noticeably discouraged. It's not that they didn't realize that the impact we've had on the planet and other people was bad, but the extent in both breadth and depth is pretty staggering. It's not until about weeks 8-10 that they really pull themselves out of it, and that's mostly because we not only talk about the tools available and the strategies to create more sustainable solutions, but they actually use these. We don't teach about sustainability [as an exclusive concept], but in the context of making solutions. I think this context is critical because it simultaneously informs and enables, and that sense of enablement is important for sustainability, and is at the core of design.

A lot of this rethinking of the design process seems to require three things: the commitment, the know-how, and the resources to implement. That seems like a tall order for the average American business, which is statistically likely to be small (under 100-500 employees, depending on the industry); how does a single person operating within an organization begin to pull those three things together?


The first thing organizations can do is familiarize everyone in the company with the basic principles and frameworks of sustainability. Everyone should know what sustainability is and shouldn't be afraid to talk to others about it. Walmart has done this very effectively through their engagement with Act Now Productions, now known as Saatchi & Saatchi S.

I was at a sustainability conference recently and there were too many people who got up on stage and essentially said "I'm not sure why I'm here because I don't really know anything about sustainability." I challenged the entire audience not only to be more informed next year but to set a goal that everyone in their organization, by the end of the year, should know enough to be comfortable getting onto any stage and speaking about sustainability. It sounds like a tall order but I don't actually think it's that difficult. It's actually much easier for smaller companies than for larger ones.

Sustainability is just one important business trend but it represents a major failing of most organizations. They don't know how to both engage their own employees and inform them about their own business. Everyone in an organization should know and be able to respond to the organization's strategy, business goals, industry drivers, and customer profiles. It's crazy that most employees can't articulate this and it's the fault of leadership, not the employees. Sustainability is just a new business driver to add to this overall need.

The book spends a lot of time discussing the need for a "systems perspective" and what that means. But it seems to me that American culture and institutions are designed to celebrate the individual—individual experience, individual expression, individual success. First, can you talk a little about the value of a systems perspective and second, how can a society like ours reconcile its individualistic nature with the need for a broader view?


Perhaps we've emphasized the individual over the system too much, in the same way we emphasize competition over cooperation. Neither is better than the other, and neither can exist without the other—not if things are to progress. Evolution wraps these same two dichotomies together as proof that they're both natural and necessary.

Individuals can't function nor be individualistic without a supporting society (which is a set of systems). There's nothing incompatible with supporting both systems and individuals, cooperation and competition, and standards and innovation. Maybe, we simple need to tell the rest of the story. In the U.S. media, we tend to present everything as an either/or choice across one, narrow spectrum. You're either a Liberal or a Conservative, a business person or an environmentalist, etc.

The truth, of course is that life is more rich and complex than these false choices. It used to be common that people identified as "fiscally conservative but socially liberal" but even this has disappeared from the national dialog. We're asked to choose between being prudent or being sympathetic, as if the two were mutually exclusive. Business is seen as being all about money and profit despite that not being the initial history of business in the U.S., nor reflecting why so many people start their own companies.

We have to cast off these false choices and old stories. Even if they were true in the past (and I don't think many of them ever were), they're not relevant now.

Where is this reconciliation happening right now? Where is it most lacking?


It's more lacking in large organizations of all types: businesses, governments, and even nonprofits. The culture of doing business or running an organization must be completely reconsidered, starting with hierarchy, strategy, and instituting a service-oriented culture.

We are grossly inefficient but in ways most pundits don't consider. For example, most every critic of government points to businesses as an example for being more efficient and effective. I'm not sure how many companies they've ever worked in but most businesses aren't a terribly good example of efficiency nor effectiveness. There are exceptions, for sure, but really, our government would have failed long ago if it had suffered some of the disasters business has been responsible for. Local governments have, undoubtedly, moved faster in many cases and are more effective than state and national governments but, again, there are exceptions.

We also need to rethink our economic models. The ones we've been using for the past 5-10 decades were flawed from the start. We've been patching them for years but the patches aren't good enough. You get what you measure and we've been only measuring money—not any other element of a successful society or lifestyle. It's no wonder that's the world we've gotten, and we find it increasingly difficult to value anything else.

You also co-wrote the book Making Meaning: How Successful Businesses Deliver Meaningful Customer Experiences, in which you discuss the many ways businesses can connect to customers to develop deeper, longer-lasting relationships. In a recent interview, you discuss how important it is to use meaning as a way of connecting with people on the issue of sustainability. But is there more to it than that? Is there something inherently parallel about meaning and a sustainable system? Is a sustainable system itself inherently meaningful?


The jury is still out on that. I believe that the more meaning we have in our lives, whether that's from buying and having more meaningful things, experiences or relationships, the less stuff we ultimately need. I don't, however, have research on this and I'm not aware of it. All of my experience is anecdotal but I do see evidence of it all around me.

The people I see with the most meaningful lives have stuff, for sure, but less of it than most others, and they tend to consider their purchases more carefully and in a wider context. They tend to be more engaged with sustainability—and [engaged] more deeply. They're not the people rushing out to "acquire" bamboo floors and green this-and-that for the sake of it. That's largely a fad at the moment. If they were remodeling, they would certainly make these choices but not for the sake of having these things.

I find that the people who live their values more tend to be happier or, at least, more at ease. I attribute this to being more engaged at the level of meaning. So, in a very real way, I believe that helping people live more sustainably will, necessary, need to engage them at the level of meanings and values—at least for any long-term effect. Thankfully, we have models for doing this, now. We just need to use them.



You can read about these models in Nathan's book, Design Is the Problem. I highly recommend it, whether you're a designer or communicator, business owner, or simply interested in new ways of thinking about old systems. You can also visit Nathan at his personal website, and learn more about CCA's MBA in Design Strategy.

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Is It Worth Paying Extra for Professional Expertise?
Listen, I'm a big fan of DIY. I'm also a fan of bootstrapping, and self-education. But it's so important to know your limitations - to know when you just don't know enough - and to pay someone who does. When you hire a pro, you get someone with both expertise and experience, which translates into better work overall. More importantly, perhaps, it results in fewer screw-ups on your project and actually less money invested over the long term, even if the pro costs more (good clean-ups get mighty pricey, especially because folks are often in a hurry to get the clean-up done quick).

Case in point

This is just a simple paint job on a simple delivery van:

Image of delivery van reading 'Mitchell's Wholesale Provedores'

One just needs the basic info, a decent painter, and that's that: what could possibly go wrong? Of course, someone with little design experience might not realize that painting an object with moveable parts might result in unaccounted-for scenarios. They may fail to ask the burning question: That looks great on the side of your van, but what happens when you open the door?

Image of delivery van with door open now reading 'Mitchell's Wh-ores' - oops!

So yeah, just think about that the next time you're trying to do something you've never done before. Moral of the post (a.k.a. DIY design tip): account for multiple user scenarios or cough up for an expert who knows what to look for!


[Images from Jalopnik, originally posted to FailBlog]

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Happy Fourth! Ink Initiative Poster Sale for A Great Cause
The Ink Initiative produces high-end illustrated posters that are screen printed by hand, and donates all profits to charity (this year's nonprofit organization is Philabundance). Talk about a worthy business model. Anyway, they're having a 2-for-1 sale while supplies last.

Ink Initiative 2-for-1 poster sale: posters for charity

In the meantime, drive safe, enjoy your BBQ, and don't lose any fingers!

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Visualizing the Truth
Not a new project, but a great way to kill your Friday morning:

Index card infographic explaining the difference between kids and parents - from Indexed.com

[visit Indexed]

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Earthquake Preparedness Has Never Looked So Good
...Or been so easy to understand. The San Francisco Department of Emergency Management has done an incredible job with this infographic-based website explaining how to handle yourself in the (fairly likely) event of an earthquake. [Edited to add the real credit: I shot him because I loved him, damn him! in collaboration with asketicsf.]

Image: for earthquake preparedness tips, visit QuakeQuizSF.com

The site is ultra simple, focusing on the six most common places you'll be when the Big One hits. The hilarious graphics (check out the mid-quake hair) immediately get the point across. And the copy follows suit, providing only the pertinent details, making it easier to remember, while throwing in a good dose of San Francisco attitude (when experiencing an earthquake at your local taqueria—how very relevant—you're given the choice between duck-and-cover and "grab your drink—it wasn't cheap"):

Image: scene from QuakeQuizSF.com

After watching the History's Channel's over-the-top-yet-nightmare-inducing look at San Francisco's earthquake history the other night, it was abundantly clear that although San Francisco's government actually has a really good earthquake preparedness plan in place, the city's residents are typically apathetic. The site does a nice job of combining design and copywriting into a short-and-sweet educational piece to break through that apathy.

(And yes, we have a run bag to keep us alive should we need it.)


[via Quipsologies]

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Food Carts: Two Approaches
In one sweep of my rss feed reader last week, I came across an interesting contradiction. Mission Local recently posted an article on the rising trend of food carts infiltrating the city:
"A declining economy has helped bring about a sudden proliferation of cart-carried delicacies that has elevated street food beyond the bacon-wrapped hot dog. In recent weeks, the Misson's food carteros—generally considered outside the high-tech realm—have been Twittering all the way to the bank, or at least to a following...

Low on cost and high on quality, in just a few short weeks the carteros have created a new Thursday-night dining venue as the carts are joined by other vendors and a rapidly expanding network of customers."
Selling everything from an "amuse bouche" of bite-sized strawberry tarts for $1, to a $5 curry plate, to spring rolls and créme brulees, these unlicensed vendors are creeping up all over the Mission. Interesting that they're relegated to this most hipster of neighborhoods; I wonder how this fare would fare in, say, tony Cow Hollow (not enough foot traffic?) or Pacific Heights. I suspect that the SF police would be far quicker to respond to the lack of proper licensing.

In the very next breath, John Emerson from Social Design Notes points us to what looks like a very cool advocacy project in NYC. The Street Vendor Project supports New York street vendors, providing education, political action, and a general community (there's strength in numbers).



The organization just released Vendor Power! (pictured above), a publication aimed at educating vendors about the city's vending laws, with the intention of preventing infractions and thereby reducing the number of tickets vendors are likely to incur for otherwise overly complex or arcane laws.

In other words, NYC cops are citing street vendors up and down, while SF cops haven't much noticed the growing number of non-Latino vendors. Familiarity breeds contempt, of course, so perhaps an SF crackdown is imminent (it sure will be as soon as SFPD discovers it can milk these vendors for a few extra dollars for the city coffers).

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How are Corporations Going Green?
Thank you, Onion:

'How are corporations going green? info graphic from the Onion


(Hat tip to Triple Pundit for seeing it first.)

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The Tools of Self-Government
This looks fascinating:



Us Now is a documentary film exploring how social media tools are changing the way we handle information, and how that might impact how we govern ourselves. The concept is both timely, and a necessary one to explore given the current state of global affairs. I love exploratory stuff like this.

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Kids'r Cute
The dork in me is totally fascinated by early childhood brain development. This is a great example of it (and it's real cute to boot):



Notice how mom asks how big is a whale? to get sonny boy to raise his arms. He understands how to react to that input, but hasn't yet appeared to make the connection between his own input and the reaction he's causing. It's also a nice example of how a single action might get both the reaction we expect, and a completely unexpected one (see this recent post about habits). Plus, like I said, it's pretty darn cute.


[via It's Nice That]

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Graph Paper Napkins
Okay, I was thinking the first post of 2009 would be some profound preface to the new year but then I saw this and figured what the hell. These graph paper napkins are the perfect doodling surface.

graph paper napkins

Available for purchase at Up to You.

[via Better Living Through Design]

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This Is Where We Live: In a City of Books
Created for UK publisher 4th Estate, this film is utterly engrossing—at least for book nerds like myself.



This kind of time-lapse video takes infinite patience, and serious set-making skills. The video stills below show the level of detail involved in each frame (more production photos can be found on the film's site).

Apt Studios' production still for 'This is Where We Live' film for 4th Estate publishers

Apt Studios' production still for 'This is Where We Live' film for 4th Estate publishers

Apt Studios' production still for 'This is Where We Live' film for 4th Estate publishers

Apt Studios' production still for 'This is Where We Live' film for 4th Estate publishers

Apt Studios' production still for 'This is Where We Live' film for 4th Estate publishers

Cheers to Apt Studios for such incredible, meticulous work.

[Via notcot I think]

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No on 8: The Musical
Too bad the original No on 8 campaign wasn't this well choreographed...

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Should These Votes Be Counted?
Great interactive piece from Minnesota Public Radio, in which readers get to vote on specific ballots that were questioned by the candidates in the recent election.

Minnesota Public Radio, 'You Be the Judge,' article on disputed ballots


[via Coudal]

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Recently Read: The End of America
With America's first black president-elect comes a wave of optimism, it seems: things will be okay. But even as the public breathes this collective sigh of relief, it turns a wary eye to Barack Obama and wonders, if quietly, will things really be okay? Because the Bush administration has done real damage to America's democratic structure by limiting civil liberties, creating undemocratic "justice" systems, and otherwise desecrating our constitution. This damage is frightenly cataloged by Naomi Wolf in her 2007 book The End of America: Letter of Warning to a Young Patriot.

'The End of America' by Naomi Wolf

Wolf's basic premise is simple and hard to dispute: when studying dictators throughout the world's history, there are ten patterns of behavior that emerge that contribute to their rise to power, and George W. Bush and his administration has pursued each of these steps. While never outright calling Bush and his posse a fascist dictatorship, Wolf certainly connects many dots and sounds a clear warning. Paper coups are still coups.

The Ten Steps Towards Fascist Dictatorship

  1. Invoke an external and internal threat.
    Example: Terrorism

  2. Establish secret prisons.
    Example: Guantánamo

  3. Develop a paramilitary force.
    Example: Blackwater

  4. Surveil ordinary citizens.
    Example: USA Patriot Act and TIPS

  5. Infiltrate citizen's groups.
    Example: Talon and multiple state-level incidents

  6. Arbitrarily detain and release citizens.
    Example: The TSA no-fly list, specific individual arrests

  7. Target key individuals.
    Example: Direct Congressional pressure on academia, attorney firings

  8. Restrict the press.
    Example: The outing of Valerie Plame, detainment of reporters, deliberate withholding of information

  9. Cast criticism as "espionage" and dissent as "treason."
    Example: Revived use of the Espionage Act

  10. Subvert the rule of law.
    Example: Military Commissions Act of 2006 (the suspension of habeous corpus), Fiscal Year 2007 Defense Authorization Bill (the gutting of posse comitatus law)
Wolf's arguments and examples in most cases are incredibly strong and well documented (including 14 pages of reference notes and a full bibliography). Unfortunately, there are stretches that undermine her message. She too often conflates the media (particularly the right-leaning outlets and blogosphere) with the administration itself, as when she hammers Ann Coulter for her book Treason. But these leaps become a little easier to swallow when we remember that much of Hitler's power lay in his use of ordinary citizens, as well as organized media, to further his message. Just because one's finger is not on the trigger doesn't mean they aren't responsible for the death.

That said, the book is by no means a simple comparison of Bush and Hitler. That would be too simplistic, and could be easily brushed off as left-wing rhetoric. Wolf's arguments transcend this, referencing more than just the obvious Nazi regime (who, after all, were simply better at such tactics than anyone else). Mussolini, Pinochet, Stalin and others all appear frequently to bolster her points. In fact, there are suprisingly few histrionics; Wolf spends much of her writing merely cataloging events and listing actions from different regimes side by side for the reader to compare.

While the book's premise is strongly supported by facts, it's the epistolary format and sheer number of wrongdoings that makes the book a little heavy-handed. Of course, this is the author's intention, but it would have been nice to see a few practical suggestions other than be aware, be vigilant offered to the reader. I suspect this omission is deliberate, though. Wolf's aim is to awaken, not necessarily to direct. She is asking her reader to consider the true meaning of patriot, someone who actively participates in and engages with one's civic society. And to do so, one must first pay attention.

And with chilling examples, Wolf demands our attention. In the end, it's extremely difficult to write off such examples as merely rhetoric, or such warnings as unlikely to occur. Small events become significant when placed against the backdrop of government, as when she describes a TSA agent forcing a mother to prove the substance in her baby's bottle is really breastmilk by drinking it herself: "In Benito Mussolini's era, one intimidation tactic was to force citizens to drink emetics and other liquids...Of course, baby formula is not an emetic. But a state agent—some agents are armed—forcing a citizen to ingest a liquid is a new scene in America."

When the scenes play out, and the layers are peeled back, and the dots begin to connect, what remains are nagging questions: how far does the administration have to go it before its citizens refuse to cooperate? How many democratic protections must be suspended before the public demands its rights back? How many secret armies, Blackwaters, must be formed? How many innocent citizens must be harrassed, jailed, persecuted before their peers step up in their defense? On Tuesday, we heard one answer to these questions.

So, perhaps the recent election signalled The End of America over before it began. What sense is there in rehashing the last eight years, after all, when we all want to move forward? The truth is, it would be dangerous to sit back and rest easy. The Bush administration did a lot of damage; it took an extended series of measured, deliberate steps to maintain and grow its power at the expense of the U.S. Constitution. Those changes will still be operable under the new presidency—we need to know them, to study them, to be able to roll them back.

Wolf's book is, if no longer a warning of imminent danger, at the very least a guide to serious legal issues that need to be addressed by the still-forming Obama administration. So much of the Bush administration's activities were carried out in the shadows of a disinterested, and therefore uninformed, electorate, that one can only hope that Tuesday's engagement was the mark of an extended era, and not merely an emotional hiccup. The end of America may have been delayed, but this book remains a damning documentation of how close we were, and are.

---

Whether you read the book or not, I highly recommend watching the following presentation, in which Wolf outlines her premise and presents incredible evidence to support it. A more polished version (with commercials) is also available from SnagFilms.

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Skull City
You probably (hopefully) know all about Skull-a-Day by now. My buddy Noah Scalin, of Another Limited Rebellion, spent a full year creating a...wait for it...skull a day out of every conceivable material under the sun. The dedication paid off, because he's now released Skulls, a collection of some of his favorite examples.

'Skulls' book by Noah Scalin

On first glance, the book is what it is: a simple collection of one skull after another. But as you start to flip through the pages, each work of art reveals something new about its subject, each material presenting a completely different face. The food skulls are somehow particularly revealing, the skins and flesh of squashes and pepper (and in one case, an entire salad) giving an odd life to such static matter.

Skull-a-Day bell pepper skull by Noah Scalin

It's hard to pick favorites from this book, because there are so many incredibly revealing pieces. I'm particularly drawn to the seemingly simplest ones, like the hotel bed sheet skull, stapled leaf skull, and caution tape skull.

Skull-a-Day stapled leaf skull by Noah Scalin

Skull-a-Day caution tape skull by Noah Scalin

One facet of this project that doesn't get mentioned nearly often enough in all the press Noah's received is the artistry that threads its way through this collection. He clearly takes his cue from his materials, but still manages to give each skull its own personality, shape and even expression. As Martha herself noted when he crashed gracefully appeared on the Martha Stewart Show, knuckle tats and all, that's a good thing.*

As an aside, I owe Noah a thanks for his recent listing of Roughstock's Blog as one of the top 10 blogs covering the intersection of design and activism. He put me among some very good company. Thanks, Noah!


Skull-a-Day drizzle skull by Noah Scalin


Skull-a-Day feather skull by Noah Scalin


*I don't actually remember if Martha said this to Noah during the show; she was probably too busy interrupting him. But nevertheless, he was on the frigging Martha Stewart Show making skulls with her.

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Studs Turkel, 1912-2008
"My epitaph is, curiosity did not kill this cat."
Studs Turkel: 'Working' book cover

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Nov. 4, 2008: This Is It, Folks
Please, please vote. This is a different kind of election, and it needs to be loud. I mean really loud. In addition to casting your ballot, here are some more ways to engage:


Behind the Candidates:

Behind the Candidates


Polling Place Photo Project:

New York Times: Photograph Your Polling Place

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Movie Posters with Product Placement
I'm not sure when "brand integration" replaced "product placement" to describe the shameless shilling of stuff in entertainment vehicles, but it has. And these posters from Antrepo Design Industry are an elegantly understated way of describing recent box office hits (click the image to view more):

Product placement movie posters from Antrepo Design Industry


[via Quipsologies]

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Vice Presidential Debate Bingo
When your eyeballs are popping out of your head and you're wondering if you really did just hear Sarah Palin say that during tonight's vice presidential debate, be sure to mark your card and holler BINGO! when you hit five-in-a-row. Illustrator Bob Staake kindly provides these "lingo" bingo cards for your vp-fightin' pleasure:

Illustrator Bob Staake's vice presidential debate bingo cards

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Paul Newman, The Epitome of Class: 1925-2008
He was smiling... That's right. You know, that, that Luke smile of his. He had it on his face right to the very end. Hell, if they didn't know it 'fore, they could tell right then that they weren't a-gonna beat him. That old Luke smile. Oh, Luke. He was some boy. Cool Hand Luke. Hell, he's a natural-born world-shaker.
A few of my favorites:

Movie Poster: Paul Newman in Cool Hand Luke

Movie Poster: Paul Newman in the Sting

Movie Poster: Paul Newman in Butch Cassidy and the Sundance Kid

Movie Poster: Paul Newman in Slap Shot

Movie Poster: Paul Newman in the Hustler

[Full obit, NY Times]

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I've Found My Prince Charming
Mikael Alacoque is responsible for a "playfully sinister bastardization of familiar objects":

Artist Mikael Alacoque's resin dog sculpture

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Miranda July for Barack Obama
Miranda July and Carrie Brownstein raise funds for Barack Obama

Just a great little fundraising site.

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